The Odd Folk – How NOT to be in a Band

This delightfully twee 15 minute folk-doc follows The Odd Folk (five nice boys playing nice music) as they set out on a mini tour of the UK, encountering minor setbacks and generally being very un-rock&roll. The Odd Folk’s ramshackle, happy-go-lucky approach to being in a band is enviable and the documentary serves as a good-natured reminder that not all the world is going to shit and entertainment doesn’t have to be all shouting and explosions – although a few pyrotechnics would definitely liven up the next film.

Best viewed with a cup of fruit tea.

Find The Odd Folk at:

www.theoddfolk.com

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Ben Howard – I Forget Where We Were

It’s no secret that Ben Howard is John Martyn’s number one fanboy and this album plays like a 50 minute love song to the late, great man himself.

BH’s debut was the coming of summer through an Instagram filter, the energy that the sun brings and the joy you get when you spend a hot day out with friends drinking cold beers and being gloriously young and tanned. IFWWW is almost its antithesis. It’s a storm rolling in off the sea on a cold, moonlit night, waves crashing against black cliffs and fork lightening splitting the dark sky – but in wide screen with the bass turned right up. I know which turns me on more, how about you?

8/10

Beta Civilian – Temple of Vega

We’re kick starting the month with a new SNES-y sound from uber-geeks, and Triggertique favourites, Beta Civilian.

Jamie on the keytar

BC decided to drop their new track ‘Temple of Vega’ on me late yesterday evening and I think it broke my brain. Street Fighter samples were seeping in all last night, I dreamt in hurricane kicks, sonic booms and more than one scarlet terror, before being woken this morning by an almighty Hadoken!!!

It’s a dark and filthy synth-funk tune, but more than that, it’s also a love note to a simpler time. For a generation who grew up on 16-bit gaming, it’s nostalgia in bleeps, baselines and Street Fighter samples.

If Stevie Wonder and Daft Punk made a video game it would probably sound a lot like this.

To download Temple of Vega for free click Here and find the download button under the track.

https://www.facebook.com/BetaCivilian

https://twitter.com/betacivilian

https://soundcloud.com/betacivilian

Mistaken For Strangers

gallery-waterThis is not a rock documentary about The National. It’s the touching story of Director, Tom Berninger (a slacker wannabe film maker), and his search for connection and approval from his older brother Matt, a successful rock star.

It looks like it was made on a shoestring with very little expertise, but despite that, Mistaken For Strangers is the funniest, most tender documentary I’ve seen in a long time.

Beta Civilian

The first time I saw Beta Civilian live was early in 2013. They play loud, like maniacs, with bare chests, big hair and the most complicated set-up I’ve ever seen for a five piece band. When I spoke to Jamie Bird (voice of BC), after their set, I asked him if he could describe the band in three words, his response: “Sci-Fi as fuck” – with a sound bite like that I wasn’t going to quibble over hyphenation.

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Since getting together in 2012, Beta have dipped in and out of the Bath/Bristol scene. They released a single, under the Bath based label Foolscircle, in October 2012 and since then have played a few legendary gigs at The Nest, The Porter (RIP) and a couple of other venues around Bath, most notably perhaps supporting Craig Charles at Moles. They were made Nokia Band of the Day in November 2013 just before playing Hootananny Brixton in the same month. Since then everything has been quite quiet in the Beta camp, until now.

On February 19th the band released ‘Overland, Overseas’, a before unreleased recording from their time in the Moles studio, back in 2012. It’s been released as a precursor for several future releases planned for the next few months and serves as a reminder of what a shit-hot band BC are.

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The band have recently been playing to 40 – 50 people at a time in house parties around Bristol. The fact that Beta’s ideal audience are a bunch of twenty-somethings “blitzed out of their minds”, means that most of these people will love it for the 3 hour set, then have no recollection in the morning – “there’s loads of buzz and no follow-up”.

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When I spoke to Jamie earlier this week, he described the band as ‘two separate beasts’ in the studio they are “super geek, prog/electro production values, where every beat is in tune with next” and live they are “pure brass funk party vibes.”

With such a massive and varied setup, “8 Synths, one drumkit, laptops, X-box controller, live samples, digitised live vocals”, it’s hard to differentiate between the old school and the futuristic, there’s no one out there like Beta Civilian and as far as I know there never has been. The obvious comparisons would be artists like Justice, Daft Punk and maybe Chromeo, but it’s more of a band experience than that “We bring a more human element to electronic music. It’s not one guy with a laptop it’s five guys playing different instruments.”

Beta fit into a niche that you may not have known was there. They have created a sound that transcends Electro and Motown and, with the imminent release of new material, they are about to make the world shit its pants… in a good way. This is progressive stuff folks, pack a clean pair of undies.

Watch this space for ‘Temple of Vega’ – coming soon.

In the meantime stay connected with the band here:

https://www.facebook.com/BetaCivilian

https://twitter.com/betacivilian

https://soundcloud.com/betacivilian

More Like Trees

Get on your feet and hold on to your toupees, More Like Trees are bringing the festival to your living room.

The fun loving ‘Strum & Bass’ trio released their debut album Roots, Shoots & Leaves on the 13th. Album launch party at Plan B, Brixton, on Thursday 30th May.

The first time I saw More Like Trees, back in 2011, they were playing the Chai Wallah tent at Green Man Festival. I remember lying there on the grass, trying to drink away my hangover and feeling a little sorry for myself when they began to play. Immediately my mood changed, I had one of those half-hungover/half-cut moments of complete satisfaction, a feeling that you only get when conditions are just so.

They initially reminded me of a folky Sublime, pure energy and fast fingers. Then I had a little reminisce when the singer came in – a “shit, I know this guy” thought – any of you calypso-bluegrass fans out their who remember Larrikin Love (a little band who had their 15 minutes of fame with the album The Freedom Spark) may share in my experience – I spent a good few songs trying to figure out whether the More Like Trees singer could be Edward Larrikin (of Larrikin Love)… By the last song I had decided that, though his voice was strikingly similar, he was too young and looked entirely different.

Since that day, nearly two years ago, I have been following the band and have witnessed some of their journey and their growth into the multifaceted, genre-fusing band they are now.

If you like hip-hop, dance, drum & bass, folk, flamenco, having fun or music, have a listen to their album and go see them at Plan B this Thursday.

To buy the album follow the link: https://itunes.apple.com/gb/album/roots-shoots-leaves/id633600856

Or to listen to it now for free, the whole album is available on YouTube:

To get more More Like Trees:

https://www.facebook.com/pages/More-Like-Trees-Official/128103970610265

https://twitter.com/MoreLikeTrees

SPRY

SPRY are a London-based band whose sound drifts effortlessly between sentimental folk and raucous alt-rock.

Their debut EP ‘Sawmills’ was recorded in the infamous Cornish studio of the same name, following in the footsteps of such giants as Oasis and The Stone Roses. The result is expansive – SPRY are showing us they are more than just a post-Mumford folk band. Their tendency to a big band sound is more akin to try Dry the River or Arcade Fire than the (thankfully) deceasing ‘new-folk’ scene. I caught up with the band who told me they will hopefully be back in Sawmills this September to record the next EP. But for now:

Unusually for a London based band, there is a definite outdoorsmen theme to the lyricism, often inspiring wave swept beaches and untended gardens. It could be the Cornish influences, three of the five members are from South-West Cornwall, or it could simply be Joe Howard (the songwriter)’s infatuation with Fleet Foxes. I spoke to Joe who told me “Robin Pecknold is to me what Woody Guthrie is to Bob Dylan, without the politics, and the death bed… Although I would visit.” – A commendable hero and obviously a fair appreciation of folk.

Despite only being together for a short time, the five musicians have put together a tight and rousing live set, which is sure to bring in a lot of new fans as soon as they start touring more widely. As far as touring goes Joe told me: “We are currently booking shows for the summer period, we’re really excited to start playing more shows in front of new people. We would love to plan a UK tour at some point early next year, and try and find a really great band to share the ride with.” 

Expect these boys to be selling out O2 Academy tours in a few years time, but for now content yourselves with the occasional show in some of the more intimate venues around the country.

With a little help from Black Keys, here’s the first of their recent tour videos. The last five minutes is the band playing ‘Those Who Know’ at Bath’s very own, Moles Live Music Venue:

If you want to hear more from SPRY:

https://www.facebook.com/spryofficial?fref=ts

https://twitter.com/SPRYOfficial

http://soundcloud.com/sprymusicofficial

Fuel for Fridays – Gnarwolves New Track

Cornish turned Brighton boys, Gnarwolves have released a new track, exclusive to stream from www.rocksound.tv – but fuck the Monopoly man, we’re jumping on this one. So here it is, their brand new track ‘Limerence:

Starting slow, it could be an alt-rock anthem – not so far off Modest Mouse or Explosions in the Sky. One minute in the thrash-punk-pop-punk kicks in and by the end you’re chanting “Woah… Woah! Money or no!” in the high-street, knocking down old ladies and taking swings at pigeons.

The EP is coming soon (I’ve listened to it but have been sworn to secrecy). I will give you a full review nearer the time.

Peyote

A young band that have their own fresh-faced take on an old genre.

Peyote

The black suits and Chelsea boots make it easy to mistake them for the cast of a Reservoir Dogs remake, but there’s no slow-mo in this show. These four play Rock and Roll. They play fast, loud and they don’t fuck about.

The band, who formed at Bath Spa University late in 2010, have just recorded their debut album ‘Quite Like It’ (Out 20th May). If it’s anything like their live set, their album will mix a few punky punches and a couple of bluesy howls with their strutting, raging rock and roll sound. It will be an album to put on loud when you’re walking through underpasses at night, the confidence in your foot tapping and finger snapping will be enough to put off any potential mugger. I’ve already seen a dance floor turn into a giddy mass of teenage girls at a Peyote gig, let’s see if this can translate onto a bigger stage when the album is released.

Here’s the title track:

The album was recorded in the legendary Ronnie Lane Mobile Studio (LMS), which has in the past produced such seminal albums as: Dame Edna Everage’s ‘Housewife Superstar’ and Moot the Hoople’s ‘Drive On’, not to mention The Who, Led Zeppelin and Eric Clapton, who also recorded albums in there.

I’ll try to give ‘Quite Like it’ a full review nearer the time but for now, I’ll leave you with a track straight out of a Tarantino movie, whch my housemate called ‘Da bomb’. Enjoy.

Keep up with their antics:

http://peyoteband.com/

https://www.facebook.com/peyotemusic